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subjective

/səbˈdʒɛktɪv/

Based on personal feelings rather than external facts

From Latin, via Old French and Middle English subject (That which lies beneath).

adjective
subject
Latin
AI-inferred
subiectus
“lying under”; figuratively, subjected or subordinate
Late Latin
Verified
subiectivus
“of the subject”; formed from subiectus

from Late Latin subiectivus "of the subject, subjective,"

+1 more source
Old French
AI-inferred
sujet
“subject person or thing”; inherited through French
Middle English
AI-inferred
subget
“a person under another’s control”; later re-Latinized as subject
-ive
Latin
Verified
-īvus
Adjectival suffix meaning “relating to” or “characterized by”

from Late Latin subiectivus "of the subject, subjective,"

+1 more source
Late Latin
Verified
-ivus
Productive adjective-forming ending, as in subiectivus

from Late Latin subiectivus "of the subject, subjective,"

+1 more source
English
AI-inferred
-ive
English suffix forming adjectives such as subjective
Combined
subiectivus → subjective
The noun-like base subject combines with the adjective-forming suffix -ive.
English
AI-inferred
subjective
Initially “relating to the subject”; later “existing in the mind” and “personal”
Modern English
AI-inferred
subjective
Based on individual feelings, taste, intuition, or experience rather than objective observation
Modern English
subjective

Picture something literally thrown underneath: that is the image behind Latin subiectus, from sub, “under,” and iacere, “to throw.” A person beneath a ruler’s authority became a subject; in grammar, the subject became the thing lying beneath—or supporting—a proposition, while in art it became the topic placed before the viewer. Around 1500, subjective meant something closer to “submissive” or “belonging to the subject,” but by 1707 it had begun its inward journey toward the mind. Kant and his contemporaries helped popularize that philosophical sense in the eighteenth century, setting subjective against objective as the perceiving self against the perceived world. So when you call a film review subjective, you are echoing an ancient picture: the reviewer’s private mind is the ground beneath the judgment.

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